A critical element to resolving a Bugatti Type 57’s ride and handling is setting up the de Ram shock absorbers.
“We now use a shock dyno,” explains Tim. “Bill, being a hydraulics specialist, would have approved.”
As the engine was being rebuilt, the chassis, with a dummy motor, was dispatched to Clark & Carter in Chelmsford so work could begin on the body.
The only Bugatti that Steve had previously restored was a Type 37, but the pressure was on when, late in 2022, Lord Bamford decided he wanted to enter the car for Pebble Beach – which left just six months to complete everything.
Hours were spent perfecting the Bugatti’s shutlines and ride height
With the body skin removed for repair, Steve was impressed by Corsica’s workmanship.
“The body was good, but the glue had dried in the joints and they’d come loose,” he says. “It’s important to keep the car as authentic as possible.
“The doors, bonnet and mudguards were all original, but the front wings didn’t match due to crude repairs in 1945, when a truck reversed into it at Continental Cars.
“I’m a real perfectionist about shutlines. Matching the bonnet and scalloped radiator shell was tricky.
“We also made some subtle modifications to sort the wheel gaps within the arches. It took ages to get it looking right.”
The St Christopher plaque on this Bugatti’s dashboard
None of the team liked the Bugatti’s hood design.
“Up or down it looked like a Silver Cross pram,” Steve says. “We dropped the rear seat so the folded hood would be flush, and re-engineered the frame so it’s sleeker when fitted. The car looks best with the ’screen folded flat.”
The upholstery was done by Robert Smith. “To match the original, a piece of trim from under the seat was sent to Ben Connolly,” Steve continues.
“The hide required an embossed pattern, which was all done by hand.”
The Bugatti Type 57S by Corsica has a walnut-rimmed steering wheel
From Ropner’s hand-painted shipping ensign on the bonnet sides to the period-correct ‘GB’ plate, the team went to great lengths pursuing authentic details.
Peter searched every avenue to find a bear mascot to match the photographs.
“It was a gift from Robert’s wife, Dorothy, who nicknamed him ‘bear’. In the end we had one carved in wax and cast in German silver,” he explains.
“The toolbox was only missing a Michelin tyre gauge. We found one on eBay in France, but the seller wouldn’t ship it to the UK.
“It was finally mailed to a friend in the south of France and they dropped it off at the last minute.”
The Bugatti’s bear mascot was remodelled in wax and cast in German silver
As the deadline for transport to California neared, the Clark & Carter team worked seven days a week from 7am to 8pm.
“There was no time for testing or even a return to Tim’s for tuning,” says Steve. “The pre-concours tour down Highway 1 was a bit of a nightmare.
“It was cold and very misty. We had a few leaks and the brakes were pulling.”
After more polishing and detailing, 57503 was placed on the famous fairway for judging. “Just beautiful,” said Marek Reichman, chief creative officer at Aston Martin.
The Clark & Carter team redesigned the Bugatti’s hood
The judges were guided by Scott Sargent of Sargent Metalworks, who had coincidentally restored two of the cars, including the class-winning Bugatti Type 57SC.
After all their work, the English restorers felt deflated, but they were asked to wait to the end: it was announced the car had won the Jules Heumann Trophy for Most Elegant Open Car.
Three weeks later, the Bugatti was presented at Salon Privé at Blenheim Palace, where it won Best of Show.
When called to the presentation ramp, Lord Bamford drove 57503 for the first time, with Lady Bamford alongside.
“There’s no doubt it was the Montlhéry record car. Robert wanted the ultimate Type 57S and knew what he was buying”
The awards kept coming, with the Restoration category win at the 2023 Royal Automobile Club Historic Awards and Best of Show at the 2024 Cartier Style et Luxe at the Goodwood Festival of Speed.
In a special Jean Bugatti tribute class entitled Types of Jean-ius, the Corsica 57S faced tough opposition from the ex-Lord Howe Type 57SC Atalante and another English-styled tourer body, 541, built by Vanden Plas and hidden away for decades.
Judges included Reichman once more and Marc Newson, the Australian industrial designer and Bugatti fan.
“I love that Corsica didn’t hide Bugatti’s beautiful engineering under a streamlined body,” he enthused. “Those exquisite de Ram shock absorbers and superb forged front axle also featured on the Grand Prix car.”
The Bugatti Type 57S by Corsica looks glorious bathed in spring sunshine
Lord Bamford was awarded the victory, much to the delight of the Duke of Richmond, another Bugatti enthusiast.
After the glory of two major concours wins, it’s time for Lord Bamford to enjoy driving the black beauty and a trip to the south of France would be perfect to follow in the wheeltracks of first owner Ropner.
With its ’screen folded flat on that lean bonnet and a sharp exhaust bark playing out through those six exhaust tailpipes, it would be a dream drive up the Gorges du Verdon in the spring sunshine.
Ropner would return to the Côte d’Azur with various high-performance GTs after naval service during WW2, but none matched the style of his unique Bugatti T57S.
Images: Olgun Kordal
Thanks to: Lord Bamford, Steve Clark, Tim Dutton, Neil McReynolds and Peter Bradfield
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Mick Walsh
Mick Walsh is Classic & Sports Car’s International Editor