With his vivid Grand Prix studies, motoring and motorsport artist James Stevens has become a true master of portraits, even when the star subject is limited only to a pair of eyes peering out from a full-face helmet.
Visitors to his stand at the Goodwood Revival would point out the Ferrari 312T team composition and exclaim: “Lauda!”
James’ talent is in the details, from the team manager’s notes resting on the bodywork to the stitching of sponsors’ patches on a race suit. Nothing escapes his gaze.
Whatever the chosen medium, be it acrylic or oils, the colours have a brilliant vibrancy, the subject stylishly enhanced by the bold background hues that have become his signature style.
Jackie Stewart in the 1965 BRM P261
“You have to get the details right,” he confirms. “Everyone today is an expert, so research is key.”
James enjoyed art from an early age. “My parents tell me I was constantly drawing, and when I started school I was way ahead in art,” he says.
“At first I was happy using just pencils; those early monochrome drawings are a total contrast to the colours I use now.”