It’s a shame the purr from the tailpipes on start-up doesn’t deliver on its promise of a musical 12-cylinder soundtrack when you’re up to speed, though.
The 6.1-litre unit isn’t as tuneful as some Italian equivalents, but that’s not to say it sounds agricultural.
Although the noise from the engine doesn’t really rise or fall in pitch, it’s a mechanical orchestra of spinning camshafts, thrashing valves and reciprocating pistons that becomes more intense as you approach the redline.
Oodles of power and the practical rear hatch might be helpful if you’re running late for your Sunday-morning slot at the recycling centre, but you would hesitate before flinging bin bags and garden waste in the leather-lined load bay.
The Lynx Eventer’s detailing and finish are superb
Up front, the beautifully finished dashboard is decorated with expensive California walnut – another upgrade by the previous owner.
Apart from some wind noise around the A-pillars, the Lynx is generally very refined, but it’s satisfying to know that there’s a wild side lurking just below the surface.
Use the small, TWR-branded four-spoke wheel to point the Eventer at the horizon and it’s easy to lose yourself in the sports-car view down the long bonnet.
The TWR Lynx Eventer’s California walnut veneer was added by a previous owner
The 380bhp V12 doesn’t manifest as a brutal shove in the back every time you prod the throttle – it’s actually surprisingly tame.
But the three-speed ’box does hold on to ratios until you’re travelling at a fair lick, usually without realising it.
Find a long enough straight and the Lynx will glide to three figures totally effortlessly – and carry on to a top speed that is probably a little higher than that of an equivalent XJ-S coupé, owing to the shooting brake’s more aerodynamic roofline.
The TWR Lynx Eventer is more of a cruiser, with light steering and a supple ride
Few other classic cars can provide this level of luxury, power and practicality in a complete package.
Was it a missed opportunity for Jaguar? Almost certainly.
But had it been built at Browns Lane, it would have been in much higher numbers – and that would have made it less special today.
Instead, we have a small team of plucky engineers and, in this case, Tom Walkinshaw to thank for creating the brawniest and most bootylicious XJ-S there is.
Images: John Bradshaw
Thanks to: Broadway Tower
The first Lynx Eventer
The original Lynx Eventer became an impromptu taxi for rock and pop legends of the 1980s
The very first Lynx Eventer was handbuilt in 1982 by Chris Keith-Lucas, Guy Black and the team at Lynx Engineering.
Once it had finished its development-car duties, the 20,000-mile prototype was sold to record producer Rupert Hine, who had been bowled over by the modified Jaguar at the Earls Court Motor Show.
Apparently, the Eventer’s boot could swallow more keyboards and synthesizers than his Range Rover.
Fay Morgan Hine, the late musician’s wife, organised for the car – nicknamed Briar Rose – to be restored for his 70th birthday, in 2017.
“She’s the only one with a sunroof,” explains Fay. “Chris thought it would facilitate the join, but he said it was the worst decision they made; he reckoned it looked like a thrupenny bit.”
Fay Morgan Hine with the first-ever Lynx Eventer
The Lynx lived a glamorous life in the 1980s.
“Rupert used to pick up Tina Turner from London and drive her to the studio in Buckinghamshire,” says Fay. “He’d put on a tape and she would sing whatever song she had to sing that day.
“By the time they arrived at the studio, she owned the song. She’d jump out of the car, do one take and then they’d go back to London.”
Stevie Nicks, Bob Geldof, Howard Jones, Peter Gabriel and Chris de Burgh were among other stars who rode shotgun in the Lynx. The ultimate Carpool Karaoke?
When Rupert moved to America in 2000, the Lynx was rolled into a lock-up in France. It stayed there for more than a decade, until Rupert was reunited with it.
Sadly, he died in 2020, aged 72, and now Fay is enjoying driving and maintaining Briar Rose (a Sleeping Beauty reference).
“When I receive some royalties from Rupert’s music, I put it aside to do a few things with her,” she explains, “so it’s still Rupert who’s keeping her going. If he was still alive, he’d likely do the same!”
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Ryan Standen
Ryan Standen is Classic & Sports Car’s Staff Writer